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A group of women are trafficked into a state-run brothel, operating as a totalitarian honeytrap to blackmail the rich and powerful. But when a crack in their confinement allows them to see beyond the shadows, the balance of power begins to shift. Vergessen: The Director’s Cut represents filmmaker Michael Fausti’s preferred vision for Vergessen. The film pays vivid homage to the provocative aesthetics of 1970s European arthouse cinema, echoing the dark, psychological tension of Liliana Cavani’s The Night Porter and the stylised subversion of Tinto Brass’s Salon Kitty.

After Reese brings home an antique chair, a series of horrific events follow, leading him to question if it's a malevolent spirit the chair possesses or the darkness inside his own mind.

Follows a crusading lawyer as he embarks on a campaign to save an African-American man, Paul Crump, from the electric chair. Preserved by the Academy Film Archive in partnership with The Film Foundation in 2007.

This documentary series follows two first-time film directors, Shane Dawson and Anna Martemucci, who are given the opportunity to direct separate films adapted from the same original screenplay. The series documents the creation, marketing, and theatrical release of both films, and through multiplatform voting, the audience will ultimately determine which director will be awarded $250,000.

An innocent man on death row witnesses savage killings at the hands of the prison's sadistic Warden. To survive, he must match the brutality in the prison and confront his own horrifying past.

A psychologist, a psychiatrist and a prison warden open up a long-closed prison, unaware that the ghost of an electrocuted convict haunts it.

A carpenter makes a chair for a customer, but it's not a normal chair.

暂无剧情简介

On the verge of being shut down by his producer, adult film director Francois Grosex has one more day to make this shoot a success. Unfortunately, when he gets on the set, he sees that all hell has broken loose. Among other things, his female star (Julie Meadows) is threatening to walk, the make-up artist can't keep her hands out of the electrician's pants and the photographer is screwing everyone who lands in front of his lens. At the edge of a breakdown, Francois quickly realizes that he has his work cut out for him... and it's only 10 in the morning.